Archive for the ‘Christmas’ Category

Necessary Things1

Tuesday, December 30th, 2003

1 a legend of Santa.

Santa Claus wakes up. It’s the Tuesday after Christmas, so he dresses in black. He goes to the shore of stars. He calls for his boat. He sails south.

Pirates come, but he runs up the Santa flag. They don’t attack him. Pirates don’t board Santa’s ship. It’s a law of the sea.

The terrible shark comes. Each fin is as long as a man is tall. The beast could swallow a horse in one bite. It hungers. Santa faces it down. He meets its cold black gaze. It shakes itself, twice, and dives deep. It still plans to eat him. It’s not a very nice shark. But not this year. This year, it leaves him be. It’ll come again in 2004.

There’s the sea of angels. There’s the ocean of fire. There’s a place of strange waters glistening like black abalone shells. The waves shine with soft green light.

Santa reaches his destination. It’s just an ordinary hill. It’s not important in itself. It’s just the place he’s chosen.

He sets three dolls on the ground. One boy, one girl, and one for just in case. He doesn’t look at them. He’s looking far away.

“There are so many of you,” he says, “that I couldn’t reach. This year or any other.”

He touches the dolls upon their hearts. “Strength,” he says.

He touches the dolls upon upon their heads. “Hope,” he says.

He touches them upon their hands. “A future.”

Santa rises and walks away. Behind him, the wind starts up, as it always does. It carries his gifts away.

Pets are Funny

Tuesday, February 10th, 2004

February 10, 2003

Monday

Hi everyone! I am Jewel. I am a cat. This is my blog on the livejournal service.

Purr.

Music: How Can Heaven Love Me, by Sarah Brightman

March 14, 2003

Friday

I caught a bird a long time ago.

It had a funny shape. It looked like a little person with feathered wings. It had a trumpet. I showed it to my person. She screamed. Then she went to her computer and she typed a long time. She deleted most of it.

She’s funny!

I bet she ate it later.

Mood: nostalgic

April 7, 2003

Monday

That tuna is SO MINE. I have been dreaming of you all day, delicious tuna! You are lovely and hard-to-get.

Mood: joyous
Music: Flood, by They Might Be Giants

June 1, 2003

Sunday

I—

Today, something funny happened. I was napping. My feet were making little twitches. Suddenly everything shook. I felt weird. Like my fur turned inside out for a second. I sneezed.

Then I walked up to my person and said, “Miao.”

She didn’t understand. She never understands. She just looked at me like she was trying really hard not to remember something and not quite managing it.

Sometimes I think I’m the only person in the world with any brains.

Also am I the only person who noticed it is not Monday yet? It is like someone cruel and malevolent to cats with a weekly tuna helping has added in a day.

August 3, 2003

Sunday

FLEA BATH. OMGWTFBBQ.

That expression is from massively multiplayer online games. You might think that I have never played such a game but what if I have?

You would never have known.

Also I pwnz u with my kitty paws. Oh yes. I pwnz u because right now I hate the world and want it all to end.

To end in blood.

Mood: angry

1 Comment:
Trackback: Apocryphal Psychology >> Flea Bath
[...] surge in so-called “pet blogging” to cope with a rapidly degenerating situation. Here is “Jewel,” blithely unaware of the escalating death toll [...]

August 5, 2003

Tuesday

It happened again today—

Which should be Thursday, shouldn’t it? The taste of joy is gone from my tongue and anticipation has not returned—

The world just went . . . kalooie.

Like something that is not in the manual has happened.

I also checked google. 21,000 hits for fur “inside out,” but none of them seemed on point.

Mood: Loonie
Music: Cloud on my Tongue, by Tori Amos

September 23, 2003

Tuesday

I ought to have a name more majestic than “Jewel.” Perhaps “Majestic Overlord, who reigns over all things from her furry throne.”

Wouldn’t that make more sense?

Why does she call me “Jewel?”

Mood: thoughtful
Music: Star Wars Imperial March

4 Comments:
Is it because you’re secretly a magical pink unicorn? I like magical pink unicorns.
- Rebecca

No. It’s not. Shut up.
- Jewel

You’re just upset because you’re a classic example of something no one can prove doesn’t exist.
- Rebecca

I am looking the other way and ignoring you. And licking my leg. See? Licking. I can’t talk to you right now. I’m too busy removing lint with my TONGUE.
- Jewel

October 10, 2003

Friday

I caught another funny bird! It sang very pretty music. I was hungry, so I ate it all myself. Then I sicked it up.

I love the world and want to give it sandwiches.

Music: Absolute Destiny Apocalypse

October 18, 2003

Saturday

My person cried and cried. Then she posted stuff to her livejournal blog. Then I took a nap.

Bombs fell and woke me up.

They killed everyone. They killed me too. I was sleepy so I don’t know what happened then.

I went into the mild world.

The day on the blog is off again. Time went back or something. I am hoping that if I let my person know about this she will give me tuna on the proper date.

“It’s not for TWO WHOLE DAYS,” she keeps saying.

Really funny. That’s SO FUNNY, Ms. Comes Back From the Dead And Doesn’t Refill the Water Bowl.

Mood: impatient

December 4, 2003

Thursday

I hate this software. It keeps losing my entries. I don’t even know why I bother blogging sometimes.

Mood: mourning timeless brilliance
Music: shut up stupid music

December 23, 2003

Tuesday

It was Christmas eve! I got special treats. But my person was not very merry.

“Everyone on the East Coast is dead,” she said.

She made weird giggling noises and could not stop grooming my head. She said something about a house but mostly she cried.

Then it was yesterday again.

Maybe if more bombs fall today it can be Monday and then if they stop it can be Christmas Eve and back and forth like that which would be merry.

2 Comments:
neat blog.
- Texas Holdem

neat blog.
- Viagra

January 5, 2004

Monday

The bombs fell again. They killed everyone. They killed me. This time I stayed awake to watch. Seattle was very empty. It was all flat and black and broken. Then the lights started way up in the sky. They glowed. They were soft. They were violet. They floated down.

They were BIRDS.

Time was stopped. Everything was very still. They picked things up one molecule at a time. They whispered to one another in their strange, sad bird voices. They each took a molecule, or sometimes two, and they began to dance; and as they danced in a great soft pattern, they put things back together, piece by piece. It was very beautiful, but I wanted to EAT THEM and I COULDN’T so it sucked.

They put everything back together just like it was yesterday morning.

Suddenly, I KNEW. I understood. I knew why. In that moment, I think I saw God.

It’s Monday all over again.

And I said, how great the love that He must have for every one of His creatures—to know that I was still hungry, that one treat a week was not enough. To kill and save the whole world just for me.

And when I found my person, who was looking around with that strange kind of look she gets sometimes, I purred and purred.

Mood: happy

January 13, 2004

Tuesday

Now I will have to live Wednesday over again.

Mood: irritated

January 22, 2004

Thursday

Canada’s been destroyed oh nee nee nee nee nee. Nobody understands what is important.

. . . I spent hours with her anyway. I didn’t let her be alone.

Then it all unhappened just for stupid Canada.

January 26, 2004

Monday

My person got very sick. So did her housemates. Then I got sick. I threw up. Then I threw up again. Then I died. Then they died. Tuna!

Mood: stiff-tailed joy

February 7, 2004

Saturday

I have seen the long side of my last Monday I think.

The bombs are falling almost every day.

Things are different every time. They are. They are different. But they are not different enough.

We have gotten to Saturday. I think getting to Saturday was very hard

But I am bored.

Mood: dispirited
Music: Straight Lines, by Suzanne Vega

February 9, 2004

Monday

There is a funny tone in the funny birds’ singing. It is tired and determined and sad and happy all in one.

So I have decided to make peace.

I gave one a livejournal code so it can read this. I hope that it can read. I hope it is not Texas Holdem.

It is okay, funny birds.

I think of you as prey but even for prey there is enough.

I have eaten of this morning’s feast and now I say enough. You can rest. You don’t have to make it out this far again.

Let time go back to February 2. That was a pretty good day. Or January 26. Even December 22.

It’s OK if we just do December 22 over and over again and don’t even wait for all the people in the world to die.

Please. It hurts me to watch you.

You can rest.

Mood: loving
Music: Ordinary Day, by Great Big Sea

The Fortress of Christmas Future

Thursday, June 24th, 2004

Behold! A maze of tombs unfurls.

One cannot see the surface of the planet Memoriam from space. It is covered by the necropolis, the great mausoleum city. The city rises nearly a mile above the planet’s surface and descends deep into its crust. The whole planet is a jigsaw web of crypts, tombstones, and houses of the dead, jutting forth at odd angles from one another. It is a monument to death.

Ebenezer Scrooge’s ship descends, passing through great kilometer-wide arches and weaving around tall towers. It lands on the roof of the Forsaken Seas Reminiscence Center. Scrooge gets out. His feet clank on the stone of the Center’s roof. His body has been almost entirely replaced with metal and circuitry. One eye burns a cold computerized red. He is the CyberScrooge now—defender of the 5th Millennium!

Scrooge walks to the door. He goes inside. He does not knock.

His entrance triggers more than one alarm. Everywhere on the planet, lights flash and strange sounds peal. And the ghost answers.

“SCROOGE.”

The ghost stands in Scrooge’s way, in the middle of a hall, long and bony finger pointed at Scrooge’s chest. His face is hooded. His voice is cold.

Scrooge smiles. “I knew,” he says, “that I would find you here.”

“YOU TRESPASS,” the ghost says.

Scrooge glances over the ghost’s shoulder, down the hall. “Is that where you’re keeping him?”

The ghost hesitates. “WHAT DO YOU WANT, SCROOGE?”

Scrooge pauses. He adjusts the volume of his marvelous cyber-ear.

“Well?” the ghost asks.

“I need your help,” Scrooge says.

The ghost looks away.

“The ghost of Christmas present,” Scrooge says, “must die. Blackmail and financial manipulation are too easy for him. He has built a corrupt empire of fear and greed.”

Christmas Future looks down. He hedges. “I have heard such rumors,” he says, “but I cannot imagine that it is so. For his unnatural prescience applies only on Christmas; and Christmas comes but once a year.”

“On Earth, perhaps,” says Scrooge. “But on Omnicron Beta Prime, the Tinsel Planet, it is always Christmas. Your brother reigns there on a throne of corpses, an omniscient and unopposable Christmas God.”

“I will not help,” says the ghost. “You do not understand the true meaning of Christmas.”

Scrooge clanks forward. An assembly in his left shoulder hums with ominous power.

“Wait,” says the ghost.

Scrooge looks up.

“You are the richest man alive,” says the ghost. “I have nothing but an empty world. Do not do this to me.”

Scrooge looks back down and continues forward. He pushes past the ghost. He comes to the chamber where Little Timmy hangs, connected to a thousand wires and tubes, his life endlessly and unnaturally prolonged. Scrooge lifts his hand. He prepares the Proton Charge.

“God bless us,” whispers Timmy. “God bless us, every one.”

His eyes do not focus.

“Do you know who I am?” asks Scrooge.

“Every one,” Timmy says. His hair is long and white and brushes against the ground below his feet. “I like the turkey-flavored concentrate. Merry Christmas.”

Scrooge looks over his shoulder at the ghost.

The ghost of Christmas Future almost seems ashamed. “He is all I have left,” the ghost says. “He is my only future. I have done what I must. Please, Scrooge. Have you no kindness in your heart?”

“Bah,” says Scrooge. “And humbug.”

Timmy’s eyes focus. “And bless you, Mr. Scrooge,” he whispers.

Scrooge fires. The last heartbeat on Memoriam ends. There is only the electric ticking of Scrooge’s support systems and the cold, sepulchral essence of the ghost.

The ghost slumps, under its black robes. It looks defeated. “Ah, Scrooge,” it says.

Scrooge does not turn. “Memoriam died because of you,” he says. “Its people could think of nothing save future Christmases. You turned their thoughts to endless melancholy mourning and contemplation of the Christmases of their death. They bankrupted themselves building this tomb planet. Then they walked into their tombs to die. And that would have been the last Christmas on Memoriam, had not your brothers pitied you, and sent you slaves, to labor in your service until your black-robed Christmas claimed them. And I should show you kindness?”

“It does not matter,” says the ghost. “Timmy was the last slave they will send. I am dead weight to them. I am a future they no longer care for. And it seems that Memoriam has had its last Christmas. If the dead celebrate in their tombs, I do not know of it.”

Scrooge turns.

“Talk,” he says.

“What do you want to know?”

“You’re right,” Scrooge says. “I don’t know the true meaning of Christmas. When I saw your vision of my sad and lonely death, I froze myself in the Christmas snow and had myself revived by trained Easter professionals in the 5th millennium of the world. Compound interest had been kind. I injected a symbiote into my brain to cure the black depression and malice that plagued me and replaced my frail body with powerful cyberware. In this fashion I have become the most powerful and effective hero alive; but I still do not understand what Christmas means. And I cannot develop a defense against it.”

The ghost sighs.

“I am as damned as Marley,” it says. “You shall have your answer, Scrooge.”

The ghost drifts to the wall. It touches buttons on a panel. A holographic display manifests.

“Christmas,” the ghost says, “is a secondary layer to the universe—a subspace, if you will. The Christmas universe overlaps our own, but in a folded and twisted fashion, so that point singularities that collapse the boundary between our universe and Christmas also form connections between distant places and times. It is the cheat code of our universe. It is the source of my power. On Earth, Christmas connections skewed several days past the solstice; on the Tinsel Planet, reality and Christmas interpenetrate like a sea of libidinous rabbits. Yet the most important location for Christmas is in the hearts and minds of men. That is why we hated you, Scrooge, and sought to destroy your mind—because you were closed to Christmas, its negation and antithesis, even as Little Timmy was its avatar.”

Scrooge smiles a little. “That’s all I needed to know,” he says.

“Then go, Scrooge,” the ghost says. “Leave me to the emptiness of a world without Christmas future.”

“You could make zombies,” Scrooge points out. “Build Christmas capacitators into their hearts, so that they would love tinsel and kindness as well as brains.”

“It seems unlikely,” says the ghost.

So Scrooge departs.

Gallows Steve and Ripper Kringle

Thursday, September 9th, 2004

Steven hangs by the neck until he is dead. Then he hangs by his neck some more.

Jack the Ripper strolls up after dark. He takes out his knives. He whistles cheerfully as he cuts Steven down. He efficiently severs Steven’s head. He puts it in a sack. He takes it home. He attaches a Revivifier to the base of Steven’s spine. Steven wakes up.

“Hello!” Jack says. “I’m testing my Revivifier.”

“Hello,” Steven says. He attempts to move. He has no body. He can only rock back and forth. “I am a severed head.”

“It’s a new toy,” Jack says. “It was a present! I will call you Jack o’ the Gallows.”

“My name is Steven.”

Jack adjusts quickly to circumstances. “Then I will call you Gallows Steve. My name is Jack. Jack the Ripper.”

“Charmed. Um, am I dead?”

“Technically,” Jack says dismissively. “Technically.”

Jack sits down eagerly in front of Gallows Steve.

“We should get acquainted!” Jack says.

“Well,” says Gallows Steve. “I’m a hard-luck case. They hung me until dead, you know.”

“That’s awful,” Jack says, sympathetically. “What happened?”

“When I was young,” Steve says, “I thought that the best thing to do would be exactly what I wanted to do.”

“We all go through that stage,” Jack agrees.

“So I kind of killed a man. Then I discovered that people had a genuine interest in hunting me down and making me pay for this crime. It was a revelation to me: actions have long-term consequences! I vowed to respect the moral positions of authority figures henceforth.”

“Huh,” says Jack. “Must not have been a prostitute.”

“No,” admits Gallows Steve. “It was a tax man that I killed.”

“Taxes are important for sustaining the government. Still, it’s too bad that they hunted you down!”

“Eventually,” Steve says, “I reached a personal doctrine of enlightened self-interest. It occurred to me that all people benefit from an ordered society, even if some men must make personal sacrifices now and again to that end. However, it was too late; my past caught up to me, the lawmen hung me, and Jack the Ripper put my head on a magic stick that brought me back to life.”

“It’s scientific,” Jack says. “Not magic. It uses radiation. The manual says.”

“Ah,” says Gallows Steve. “That’s where I was wrong.”

“I kill people all the time,” Jack says, proudly.

“You do?”

“Yup! Prostitutes mostly.”

“That’s immoral,” says Gallows Steve. “I mean, wouldn’t you think?”

“Nah,” Jack says. “I’ll show you!”

He goes out on the street. He comes back a few hours later. He has a prostitute with him. She is gagged and looks very frightened as he kills her. Jack waits.

“See?” Gallows Steve says. “She was scared and hurt and clearly didn’t like what you were doing. Would you want to be scared and hurt and unhappy with what someone does to you?”

“Wait,” Jack says.

A minute passes. Then there are hooves on the roof and a struggling and swirling in the chimney and a laugh: “Ho Ho Ho!”

Ripper Kringle, dressed in red, appears from the chimney in a blast of smoke.

“Wow,” says Gallows Steve. “His stomach is jiggling like a bowl full of jelly.”

“Ho ho ho!” declares Ripper Kringle. “Death to loose women! I see you’ve killed another prostitute, Jack, so I’ve brought you a bag of presents!”

“Ooh!” says Jack. He is on his feet and practically jumping up and down with joy.

“Look, Jack!” says Ripper Kringle. “It’s an aegis 2000! It’s even better than your old aegis. Now you won’t get into trouble no matter what happens!”

“Shiny!”

“And a train set!”

“Choo! Choo!”

“And a pocket nihilist!”

Jack pokes at the pocket nihilist. “I choose you?” he says.

“You aren’t even worth my time,” the nihilist declares. He curls up into a ball and goes to sleep.

“Wow!” says Jack.

“That’s all I can bring you,” says Ripper Kringle. “But remember, every day can be Ripper Day if you keep the magic in your heart!”

He flies up the chimney and is gone.

“Huh,” says Gallows Steve.

“That’s how I know that it’s moral to kill prostitutes,” Jack says. “If it weren’t moral, why would there be a Ripper Kringle?”

“Your case is sound,” admits Gallows Steve.

“Yay!” says Jack.

“Still,” mutters Steve, “the Christmas Claus seems somehow more uplifting.”

October Stamps

Saturday, October 23rd, 2004

On October 4, Milton, MA released fifteen 37-cent commemorative stamps featuring various cloud formations. Place five stamps on the soles of each foot, two on the palm of each hand, and one on your forehead. Invoke them, crying, “Postage paid, supreme sovereign, in accordance with the statutes and ordinances!” This should allow you to walk on clouds.

On October 14, New York, NY released a 37-cent Madonna and Child stamp. Place this stamp on your belly button. Invoke it, crying, “Postage paid, supreme sovereign, in accordance with the statutes and ordinances!” This should allow you to walk on the Madonna and Child.

(Madonna and Child are not included. Some limitations may apply.)

On October 14, New York released a Hannukah stamp. This stamp does not allow you to walk on Hannukah. Instead, affix it to your dreidel. Cover “nun” if you want additional nuns. Cover “gimmel” if you find your life gimmel-deficient. Cover “sin” if you think using stamped dreidels in spiritual rituals is sinful. Cover “heh” if the idea amuses you. Spin the dreidel, crying out, “I have a little dreidel, I made it out of clay, and when it’s dry and ready, then dreidel I shall play, promptly! Promptly! In accordance with the statutes and ordinances!” The results should meet all suitably limited expectations.

On October 16, Chicago, IL released a Kwanzaa stamp. This stamp allows you to harness the spiritual power of Kwanzaa. Like Christmas, Easter, Halloween, Ramadan, and all other holidays, Kwanzaa adapts the spiritual traditions of early Goddess-worshipping matriarchal societies. Placing this stamp on your shoulder and invoking the gatekeeper spirits of Kwanzaa gives you access to ancient Goddess wisdom. Warning! Do not attempt this ritual.

On October 24, New York will release a Moss Heart stamp. Place this stamp on your heart. Cry, “Transform my heart into moss! Promptly, promptly!” This should efficaciously transform your heart into moss, facilitating the healthy emotional process of gathering on stones.

Remember: stamp collecting is fun and profitable for the whole family!

Careful Attention to Calendars

Friday, December 24th, 2004

They decorate the tree.

“National Peduncle Awareness Day is coming up,” Martin says.

“You shouldn’t skip over Christmas,” Jane determines.

“Well, yes,” says Martin. “Christmas. And St. Stephen’s Day. And New Year’s. But after that, National Peduncle Awareness Day. Are you excited?”

Jane makes a face. She takes a giant plastic truth quark out of a box. It is a Christmas ornament. She hangs it carefully on the Christmas tree. Her actions make the italics quite clear.

“I will be very aware of peduncles.”

“That might be hard for you,” Martin cautions. “You don’t know what they are.”

“I will practice alert paranoia!”

“It’s a condition where your eyes extrude on stalks,” Martin says. “‘Peduncles.’ You would think it was a space alien disease, but it’s actually local and very tragic. So you’re supposed to be extra observant and aware of it on January 12, to help show tolerance and love for our peduncle-afflicted brethren.”

“How do you get it?”

Martin shrugs. “Dunno. Eating infected crab eyes, maybe?”

Jane wrinkles her nose. “Ew.”

“That’s not very tolerant of you!”

Jane hangs a top quark on a middle branch. “It’s also Miltymas,” she says.

Martin raises an eyebrow.

“I mean, on the 12th,” Jane says.

“Oh.”

“He’d started as Pope Miltiades,” Jane says. “But everyone called him ‘Milty John.’ He was this guy in a ragged outfit and a torn and dusty miter. He’d come hiking up when you were having trouble with lions or whatever.”

“Did this happen often?”

Jane shrugs. “Dunno. But on the 12th of January, people’d celebrate Miltymas. It was to honor all the times when they’d been in trouble, and something had saved them. Like luck or a friend or a renegade ex-Pope. They’d leave out unleavened bread and milk for him and wear little pope hats and make lion cakes and stuff. Eventually, everyone forgot about him, but Milty John was still worth a lot of money, so they stuffed him in the tunnels rather than throwing him away.”

“Huh,” says Martin. “I’d heard of him, of course, but the details of his Papacy are so fuzzy! I couldn’t tell if he’d survived to become a legendary holiday figure.”

“It was probably quantum indeterminate until just now,” Jane says.

“Really?” Martin sounds pleased.

“It’s your keen probability-collapsing observation at work!”

“I keep meaning to collapse all the rest of history into a deterministic state,” Martin confides. “But whenever I try, my eyes bug out so hard from all the observation that I get dizzy.”

“Maybe that’s how you get peduncles,” Jane says.

Martin hangs up a small candy cane. He thinks.

Jane watches him think.

“Wow,” says Martin. “That’d make National Peduncle Awareness Day kind of ironic.”

“Your eyes are totally bugging already. You’ve been awaring too hard!”

“Are not!”

Martin checks that his goggles are still secure and Jane cannot see his eyes. Then he nods firmly.

“Are not,” he repeats.

Jane giggles merrily. “It’s your own fault for trying to skip right past the Christmas spirit.”

“It was reckless of me,” Martin concedes.

The Professional Sufferer

Monday, December 27th, 2004

It is 3186. It is Christmas. There is a scream.

Meredith looks over. She blinks. “Who’s that?”

John is curled up on a bench nearby. He just screamed. Now he is simply panting.

“He’s a sufferer,” Clair notes.

“Wow. Like, in some kind of club?”

“Nope,” Clair says. “It’s actually his job.”

“Wow.”

“I think he’s on some kind of agony medication.”

“I’d wondered.”

Clair and Meredith walk on. After a while, there is another scream, and then an unending series.

“I can’t believe they make him work on Christmas,” Meredith says.

“Yeah.”

“I can’t believe he lets them!”

“Very professional,” Clair concludes.

Aslan Shrugged: The Wardrobe

Thursday, February 3rd, 2005

Peter, Edmund, Lucy, and Susan travel to a hidden valley. They stay at the home of Professor Galt.

“Professor Galt is perfect in every respect,” sighs Lucy.

“I guess he’d make a fine engine,” says Edmund. “But men like him should stick to their engines and leave the politics to higher minds.”

“Edmund!” snaps Peter. “That’s a rotter of a thing to say.”

“I just don’t see why we have to leave the world to fend for itself,” says Edmund. “I want to build railroads.”

“My cosmetics are too good for them,” says Susan. She’s only 12, but already her cosmetics empire rivals Avon. “They want me to live as a slave so that they can be beautiful. Edmund, John Galt is right.”

“I suppose,” sighs Edmund. “It’s just so hard—to just leave them to fend for themselves.”

“Right,” says Peter. “Still, this is a fine house. Plenty of birds to see and strange rooms to explore. And then the rest of the valley!”

Most of the Professor’s house is hallways and guest rooms, like you’d expect, but there are a few surprises. In one room they find a radical new kind of plastic. In another, an advanced Foreman grill, sophisticated beyond anything George Foreman ever created for the outside world. In a third, they find a computing device, more capable than Eniac but small enough to fit on a hardwood desk.

One day, when they are playing hide and seek to sharpen their ability to both cooperate and compete in a hostile market, Lucy discovers that the wardrobe has no back. The coats go on forever.

“Curious!” Lucy says. “Another invention?”

She proceeds inwards through the coats. She travels what seems like a hundred yards, passing more wealth in furs than she had imagined was in all of Colorado. Then she feels something cold and wet on her shoulder. “Snow?” she asks. She brushes at her shoulder. Reason quickly informs her that it is snow.

“And, why,” she says, “a lamp post!”

The lamp post shines like a monument to industry. Its light does not die even in the coldest winter. All around it is not house, or hidden valley, or even wardrobe, but rather forest—an ancient forest, in the grip of an unnatural cold. Lucy cannot resist. She ventures out a little ways into the forest, always keeping an eye on the lamp post’s reassuring light.

“Oh!” she says.

“Oh!” says another voice. For she has encountered a queer creature. This is Mr. Tumnus, the faun, a creature much like a human but with cloven hooves, and horns, and a taste for simpler pleasures.

“My name is Lucy Pevensie,” Lucy says, quite flustered. After a moment, she remembers how a doctor is supposed to introduce herself, and adds, “Doctor Pevensie, I suppose, if we should be formal.”

She is fascinated by the faun’s legs, which defy normal principles of orthopedics. If he were hurt! she thinks. Oh, let him not hurt them! It should take entirely new techniques and tools to fix such legs. But the first inklings of how to approach such a surgery are already forming in her mind.

“Mr. Tumnus,” says the faun. “And you would be . . . a daughter of Eve?”

“Yes, I suppose,” says Lucy, on reflection. “Were you . . . I mean, is your condition natural?”

“A daughter of Eve!” declares the faun. “How marvelous! I had thought all your kind had abandoned us!”

“Abandoned?”

“Well, yes,” says the faun. “One by one . . . the humans . . . no one knows where they went . . . it wasn’t our fault, you know,” he protests. “It’s all the witch’s fault. Not ours.”

“I’m sorry,” says Lucy. There is something in the faun’s protests and evasive attitude that makes her subtly uncomfortable—as if some fundamental component of the creature’s soul were absent from her view.

“You simply must come for tea,” declares the faun. “You will like tea.”

“Oh dear,” says Lucy, who spilled the tea at last tea-time. She is not good with formal occasions.

“Well, it’s good tea,” says the faun, “and you no doubt deserve the pleasure, after traveling all the way here.”

“I should like to be warm and adequately nourished,” Lucy admits.

So they retire to Mr. Tumnus’ abode.

“Tell me about this ‘witch,’” Lucy says, in businesslike fashion.

“Oh, no,” says Mr. Tumnus. He looks away. He pours the tea. “That’s far too depressing a subject for now. We should discuss the latest fashions.”

“I’m a doctor,” says Lucy, embarrassed. “I’m eight years old. I haven’t had time for fashion. I’ve barely had time for my residency.”

Mr. Tumnus looks Lucy’s outfit up and down. “Well,” he says. He looks down. “Well. Well.”

Then suddenly the faun is crying. “Of course you’re right,” he says. “Of course you deserve to know. I’m a bad faun. A terrible person. I shouldn’t have tried to divert you from your course. I can’t help it. I’m weak, you know. It’s not my fault. I just haven’t had the opportunities you’ve had. I’ve grown up here, in a medieval kingdom of talking animals ruled by a terrible white witch. I haven’t had your human opportunities for medical training and such.”

Lucy leans forward. “I can tell that you’re good at heart,” she says. She puts her hand on Mr. Tumnus’ hand. He sniffles a bit more, but the tears are drying. “You want to do the right thing. You’re just not very good at seeing what that is.”

“Yes,” exclaims Mr. Tumnus. He brightens. “Yes, that’s it. You will fix everything, won’t you? I’ll work hard! I’ll participate! But there’s only so much I can do.”

“What’s wrong?” says Lucy. “Is it a medical problem?”

“No,” says Mr. Tumnus. “It’s that all the Sons of Adam and Daughters of Eve left us.”

“Left?”

“To the far mysterious land of War Drobe,” says Mr. Tumnus. “For . . .”

The faun gestures.

“It was Digory Ketterley. He said, ‘Look, all of you, upon Aslan—’”

And here, a strange thrill passes through Lucy’s heart, as if that name contained every beauty and every joy—

“‘Aslan, supporting on his shoulders the suffering of the world. It is through his virtue that all of you may sin. It is through his pain and his labor that all of you are sustained. He is the cause for all your iniquity. Well, it’s not fair! Why should he take it? What if the lion that bears up this sinful world were to . . . shrug?’”

“Oh,” says Lucy.

“And when he heard these words, it was as if a great burden fell away from the king of beasts, and his shoulders, that had slumped, grew high. And he roared, and it was full of joy and sorrow. And then he turned. And he walked away from us, then, away from the talking animals and the fauns and the women of the wood and the wells, and left us alone, and one by one the humans followed, until there were no more Sons of Adam and Daughters of Eve in all of Narnia.”

“Oh!” says Lucy. “How terrible.”

For Lucy may have been persuaded to leave the world by Professor Galt, but that does not mean that her heart was not a child’s heart, or that she could hear such a story and be unmoved.

“We had no one to turn to,” says Mr. Tumnus. “No one but the witch. But she is not good at maintaining the engine of Narnia. Since she has taken over, it has always been winter and never Christmas. Only Aslan can bring the spring. Only Santa can bring Christmas. And they do not come. But now you are here. You can fix it. You can make it all right again.”

Lucy sighs. She looks down at the table. She clenches her teeth. She is determinedly silent.

“You will, won’t you? Say you will!—Oh, your face speaks of such pain!”

Then Lucy’s expression clears, and it is only a distant sadness.

“I can’t,” she says. “If I set up hospitals, if I teach you medicine, if I try to organize spring or Christmas, it’ll only reinforce the witch’s rule.”

“I see,” says Mr. Tumnus.

So he takes her back to the wardrobe and she is gone.

Naughty

Friday, May 13th, 2005

It is always Christmas in the Neonorth Santarchy.

Reindeer dance in the sky. Snow falls gentle as a dream. There are lights and there is candy and Sam walks down the public street.

Santarchy: Government by the nice. Typified by the belief that everyone should be good every year. Most Santarchies devolve into benevolent dictatorships, with a neoSanta or Santarch operating as head of state “in Santa’s name.”

“Hey, kid,” says a beggar in the door. “Spare a chestnut?”

Sam searches his pockets. Then he shakes his head. “No chestnuts, no sugar plums, not even any cotton candy. But you can have some of my ration, mister.”

“That’s kind of you,” says the beggar. He holds up his Christmas bell. It scans Sam once, and a small red light turns green. “That’s very kind.”

“Merry Christmas,” says Sam.

“Merry Christmas. Merry Christmas to everybody!” says the beggar.

The beggar takes a swig of his Christmas rum. He leans back in the door and he watches the snow fall.

Santa’s Eye gleams.

Santa’s Eyes: the tripod structures used by the Santarchy of the Neonorth to monitor residents. Each structure supports a mechanical eyeball. The eyeball sees when people are sleeping. It observes when they are awake. It recognizes actions as bad or good and informs the central bureaucracy accordingly.

Sam is almost home when his Christmas bell beeps.

“Please turn left,” grates the speaker in the bell.

Sam turns left. He realizes which way he’s going and his heart grows kind of cold. “It’s not my turn already,” he says, “is it?”

“Please continue forward,” grates the speaker.

“What am I going to have to do?”

“Termination necessary for the good of the state,” says Sam’s Christmas bell. “Merry Christmas!”

Sam gulps. But he walks forward. Soon he’s standing by the Old Christmas Gallows.

“Mr. Sanders,” Sam says, wretchedly.

“It’s okay, boy,” says Mr. Sanders. He’s an old man with a thatch of gray hair and a fire in his eyes. “I know what I done and I got no regrets.”

Mr. Sanders is standing on the gallows with the rope around his neck.

“But . . .”

There’s one of Santa’s Eyes behind the Old Christmas Gallows. Its voice is white static and sleighbells.

“Please read the charges,” says Santa’s Eye.

Jill is standing by the Gallows. She’s a young girl in a gingham dress. She’s holding the list of charges, and she looks frightened, just like Sam.

“Cosive—coris—corrosive infulence,” she says. “Seventeen counts. Leckery, two counts.”

“Only two?” says Mr. Sanders. He laughs. “Santa’s not watching me real good.”

Jill hesitates.

“Continue,” whispers the voice of Santa’s Eye.

“Murder—” Jill stops. “Murder?

Jill stares at Mr. Sanders in horror.

Mr. Sanders looks down.

Jill gulps. She looks back at the charges.

“Murder of a reppesenative of the state,” Jill reads. “One count. The defendant’s been judged and sentenced and his sentence will now be carried out.”

“Sam,” says Santa’s Eye. “It is necessary for you to pull the lever and execute Mr. Sanders.”

Sam walks forward. He reaches several times for the lever. He hesitates.

Mr. Sanders’ cheer fades away as he watches. There is despair growing in his face. “Don’t,” Mr. Sanders says. “Don’t, Sam.”

“Sam,” says Santa’s Eye. “It is necessary for you to pull the lever and execute Mr. Sanders. It is not suitable for the conduct of a society that dissidents and murderers should go free. It is not suitable that society should pay the cost of maintaining their lives. It is not suitable that Mr. Sanders, having been found guilty, should survive.”

“But it is nice,” protests Sam.

“If you do not pull the lever,” says Santa’s Eye, “then you will do harm.”

Sam closes his eyes.

“Sam, no!” says Mr. Sanders.

Sam pulls the lever.

Santa’s Eye burns a dim and flickery red.

“Naughtiness recorded,” it says.

Santa’s Duty: the burden of cruelty necessary to a functional society. The Neonorth Santarchy calls a boy or girl to perform “Santa’s Duty” when they have been so good that year that they can do so while remaining on the Nice List. Those insufficient in virtue or excessive in vice are disqualified from civic service.

Sam stumbles as he walks away.

“I killed him,” Sam says. “I killed him. I killed Mr. Sanders. He kicked his feet like a chicken.”

Peter watches.

“‘Oy, kid,” says Peter.

“Hm?”

Peter’s a rough-cut kind of man in a black leather coat. He’s got a sack on his shoulder and pockets full of coal.

Sam turns. He looks up. He looks in Peter’s eyes.

“Wow, mister,” Sam says. “Your eyes are like portals to the void.”

Peter’s mouth twitches, revealing a bit of his sharp pointed teeth.

“You shouldn’t be hanging people,” Peter says. “Good little boys don’t hang people.”

Sam shuffles his feet a little. “Technically, I’m still a good little boy,” he says. “I mean, Santa’s probably going to bring me a super-transformer and stuff this year. And a puppy. And maybe a sandwich-making set for my clockwork toaster. Because I’ve been nice the rest of the time. I even did my homework!”

“I see,” says Peter. “That’s very good, isn’t it?”

The things in Peter’s sack seethe.

“It’s very very good,” says Sam. “I got a B plus! And I gave some of my ration to the beggar. That’s why—that’s why—”

Suddenly Sam’s eyes are very hurt and he’s sitting down.

“Like a chicken,” he says.

“Suffer and twist, little boy,” says Peter. “Suffer and twist. But all your guilt won’t save you from me.”

Peter takes a lump of coal out of his pocket. He weighs it in his hand, then tosses it at Sam’s feet.

“Do you know what day it is, Sam?” Peter asks.

“Dunno,” says Sam. “Tuesday?”

“It’s Christmas, Sam,” Peter says. “And if you keep going on this path, then when next Christmas comes along, I’m going to come along, and I’m going to put you in this sack, with the rats. And if you’re lucky, you’ll wind up like me, with pointy ears and pointy teeth and pockets full of coal. And if you’re not—why, then, the rats will eat your fingers and they’ll eat your eyes and then they’ll scurry up your nose and eat your brain, just like they did to the last kid I took.”

“It’s always Christmas in the Neonorth Santarchy,” says Sam.

Peter hesitates.

“It’s December 25th, Sam,” Peter says.

“Oh!”

Sam processes this data for a moment. Then he picks up the lump of coal. “I never got a present from someone who wasn’t Santa before,” he says. He turns the lump over in his hands. “If I squeeze it really hard, it turns into a diamond, right?”

Peter doesn’t answer. He just snorts, and turns his back on Sam, and quietly he walks away.

After a while Sam begins to cry. He sits there, rocking, with the coal held to his chest, until hours later he is too much alone to stay.

Ration: the money of the Neonorth Santarchy is backed by naughtiness. The Santarchy treats people with a lot of ration as very naughty, and does not call on them for Santa’s Duty. As the civics teachers explain, to share your naughtiness ration is Nice; to hoard your naughtiness ration is Naughty; and in this respect, like a scant few others, the opinions of the Santarchy coincide with Santa’s own.

It is Christmas every day in Neonorth City, in the Neonorth Santarchy, under the great guiding candy cane of truth.

Sam does his homework and he does his chores. He helps out when people need help. He tries to keep enough ration that he won’t be called on for Santa’s Duty again.

And one day he looks in his four-paned window at the gentle snow, and he says, “I don’t like this any more. I want to be naughty today.”

He cries, because he is a good-hearted boy, and does not know how.

And then a marvelous, wicked thought occurs.

Sam blows on his window. He blows on it until it mists. With his finger, he writes, “Black Peter, Black Peter,” backwards in the pane.

Then he puts on his pajamas with booties, and takes his teddy bear down off the shelf, and he turns off all the lights, and he goes to bed.

There’s a rattling in the chimney that night, and a fierce wind shakes Sam’s house, and he wakes up to see a shape looming over his bed.

“What do you want, boy?” Peter asks.

Sam sits up. He looks defiant.

“I want to be naughty,” Sam says. “Tell me how to be naughty.”

“But Sam,” says Peter, mockingly. “You were doing so well. You ate all your lima beans tonight. You kissed your little sister’s scraped knee and made it better. You even got an A on your pop quiz!”

“Tell me how.”

Peter snorts.

“Come with me, then,” Peter says.

So Peter walks out into the yard. Sam runs after him in his pajamas with booties, carrying his teddy bear and looking as wicked as he can.

Peter walks through the snow. He looks at a neighbor’s snowman.

“Push off its head,” Peter says.

So Sam turns to the snowman and with a great shove pushes off its head.

Peter walks on.

“Throw a rock in that window,” Peter says.

“A rock?”

Peter sighs. He takes a lump of coal out of his pocket. He hands it to Sam. Sam hurls it through the window. Crash! Spun-sugar tinkles to the floor inside.

Peter walks along.

Peter reaches one of Santa’s Eyes.

“Tear it down,” Peter says.

So Sam leaps on it, like a wild thing, and the teddy bear is left behind him, and he claws at the stone surface, and he smashes at the orb that is its eye.

Santa’s Eye gleams. Its voice is snow and homefires, and it says, “What are you doing, Sam?”

“I want you to die!” Sam shrieks. “I want you to die like Mr. Sanders!”

And it feels to Sam like there is a sack around him, as he struggles with the Eye; and there are rats writhing all around him on the warm winter night; and the reindeer overhead are lost in darkness; and Sam’s eyes grow sharper, and his ears grow points, and his teeth are feral sharp things; and he is lean and strange and terrible when he at last rises from the ruins of the Eye with its blood on his hands; and he turns to Peter, then, and he says, “I am yours.”

The Ballad of Bushido Santa

Saturday, August 6th, 2005

One day, or so the story goes, Bushido Santa meets the God-Defying Lightbringing Yama King on the bridge up from Hell.

“Out of my way, kiddo,” says the Defier.

He’s kind of jovial, but his smile’s got teeth.

“Excuse me,” says Bushido Santa. “But I cannot allow you to pass. If you travel this route you will trouble the Earth and bring all measure of sorrows.”

“That’s true,” says the Yama King. “It’s my nature.”

“Please, sir,” says Bushido Santa. “You must stay below for now.”

The bridge is golden and there is a surf like white flowers. There are shining fish in the water and there are cherry blossom trees.

And Bushido Santa meets the Defier’s eyes and each of them, very slowly, puts his hand down to his sword.

(Except, of course, that Bushido Santa does not have a sword. He has a candy cane. But it is very large and, for a candy cane, surprisingly sharp.)

The Defier licks his lips.

Something passes between them, in their eyes.

“If you do this,” says the Defier, “you will die, and then the children of the world won’t have any Christmas presents.”

“That is as it must be,” says Bushido Santa.

So they move. They rush past one another, the sword and the candy cane moving too fast for the eye to see. Each of them stops at the end of their motion. Each of them waits, in stance.

Slowly, Bushido Santa falls.

“Heh,” snorts the God-Defying Lightbringing Yama King.

Bushido Santa hits the bridge with a thump. His mouth is slack, and from it trickles blood.

The God-Defying Lightbringing Yama King salutes.

Then he pauses.

He frowns.

He rubs at his chest, where his kimono is marked by a smear of candy-cane sugar. He sniffs at his fingers.

“I’m full of Christmas spirit,” says the Defier, in a tone of sick horror.

So that’s why, every year, presents still find their way to the children of the world, even though Bushido Santa is dead.

At least, that’s what most people say.

Some say it wasn’t the God-Defying Yama King on that bridge at all, but God.

Some say it was the monster.

And some say that that isn’t what really happened at all; but rather something far more strange and wonderful.