Thank you for your kind words,
* Yes, I know she works for me. But I liked the comments. ^_^
** Yes, I know she is me. But I liked my comment! What can I say?
Eric asks what Hitherby readers could do to help with various Hitherby maintenance tasks. I’m not sure! I’ll continue to think about it.
Donations for June 2006 totalled $50. Thank you!
It is July 4! Instead of a thematic legend, I’m just going to note my great joy and profoundest gratitude to Lt. Cmdr. Charles Swift. It is such a small thing that he has done, in comparison to everything that is wrong in the world, but in winning one battle against Guantanamo he’s given me some America back just in time to see it in the fireworks.
(If you disagree, please don’t comment criticizing him; instead, please comment on something that brings you joy.)
Independence Day Bonus:
A Mini-Guide to Chronology!
There’s been a flurry of recent comments focusing on Hitherby chronology. I’m amused that that started just before I dated a new legend rather than immediately after.
As of today, current “stories” are up to June 2, 2004.
The legend that will broadcast on June 2, 2004 is not the most recent legend, the Dynamite Trilogy. It is, as Mr. Puchalsky guessed, In the Shadow of the Centipede.
This makes five legends with a roughly established performance date—
* A Reasonable Explanation
* Hamlet 2: the Arrows of Fate
* In the Shadow of the Centipede
* Ink is Backstage
* Ink in Emptiness
So what’s up?
Two months of performances in the tower—from April 3 to June 1—have covered roughly the same ground as two months of entries in the real world. But the Ink entries are anachronistic!
How can you reconcile these data?
The answer is simple.
There is no connection between the order of legends as presented on this site and the order of legends as performed in the tower. For convenience, I’m going to assume that for the most part they’re going along performing one legend a day, just like the manifesto says, and in roughly the publication order; when the story reaches August 2004, for instance, they’ll probably be performing stuff like Broderick and the Cracker.
Stuff like the hint pointing at In the Shadow of the Centipede?
Think of that as an easter egg.
I’m never going to expect the readership to correlate the legends from previous years and the ongoing story. First, that’s too much work for you. Second, it’d require too much from me. It would hamstring my ability to post legends when I’m inspired to do so. It would hamstring my ability to post legends when they’re relevant to the ongoing story. So when I reveal when a legend played, please feel free to say, “Hey, I know why Jane was thinking about that now!” Or, when I post a legend, feel free to say, “Hey, I bet Jane’s thinking about what happened in that story.” But don’t fret about it.
All that is defined is this. At some point the tower broadcasts each of these legends.
When did they start?
When will they finish?
How many of them do have known broadcast dates?
You’ll know when Hitherby Dragons finishes!
On a related note, rpuchalsky has observed a wogly regarding time apparently moving backwards between “A Chorus of Definition” and “The Old Man and the Sea.”
This wogly is a wogly.
Stories advance chronological time in the story in the standard storytelling fashion. The retrogression is an apparent error. The date for the Old Man and the Sea is correct; the date for The Chorus of Definition does not appear to be.
I suspect that I was too eager to convey a sense of time passing and goofed.
Now I’m kind of clever and I have an explanation for this. And maybe someday it’ll be worth saying that that explanation is what happened. But right now, that’s a bit like spending 5,000 words giving the history of a doorknob—that is, just because I could explain it, doesn’t mean it’s worth doing so in the story.
So assume that’s a goof that I’ll edit out when I’m done, with a side of “but it could be a Mystery!”
Rebecca is -good- at action scenes, isn’t she?
Thank you for your kind words!
I am surprised, actually, as I don’t have a good sense of action scene structure.
Nevertheless I like compliments. ^_^
“There is a man,” says Sid. “Named Max. And he said, ‘Sid, you’re so unworthy of the world. I’d go to Hell myself if I could just be sure of dragging you with me.’”
Hmm, that’s not what Max said at all. It’s a bit disappointing, because it puts the situation back into Unclean Legacy people-mistaking-each-other’s-intentions territory rather than actual conflict. I understood Max to be sacrificing himself both so that Sid would never vivisect anyone and so that Sid would never have to feel guilty about vivisecting anyone (as well as so that Max wouldn’t have to feel guilty about having Sid as a friend, of course). Bad judgement, yes, but it wasn’t really a kind of flawed motive typical of ordinary humanity. (Then again, what does Sid know about ordinary humanity?)
In fact we know Max’s specific motivation:
“to give up everything else so that Sid does not become a thing Max can not love.”
That said, I think Sid has the right of it. Max judged him, a creature prone to vivisection, and said, “This should not exist; rather, there should be a false Sid that is like Sid but does not vivisect.”
Then when Max understood his crime he repented.
Now Sid is being a drama queen about it. That is on top, of course, of being seriously wounded, like a man with a shaft of metal in his lung who screams and frets and whines as if there were also one in his kidney.
But Rahu… he wants to eat the sun, and the sun is Iphigenia. In that sense, this makes him a bad guy, insomuch as he intends hard on a likable character. And he is a demon. But on the other hand, from what we know of him, it seems that his motives may be good, if misapplied.
Yes. Thus far Rahu has conducted himself without sadism or transparent hypocrisy. It’s hard to say for sure whether this will continue, because that would be a spoiler of a sort.
I like him as a character.
It’s kind of unsettling when a character I identify with suffers a fate I don’t desire.
Close your eyes when reading fiction. Then this problem becomes nuncupatory!
Part of what I find interesting here is the suggestion (possibly existant only in my own mind) that the questions of Ii Ma can turn the recipient into an isn’t.
I don’t know if I formally established this. But, as Mr. Goldfarb observed, the case is pretty darn tight.
See also Questions and Answers (2 of 2) for an understanding of the role that questions play in Hitherby Dragons cosmology.
I’m glad you like it. ^_^
I could have sworn that it was created as a result of events from 2006: the lens breaking & etc. The realisation that our ‘real time’ and their ‘real time’ have come unhinged has thrown me for a loop.
This is, of course, answered above.
I wanted to call it out here to specifically note: I can’t tell the story here as fast as it’s actually happening in the world.
The premise of Jane’s world is that the legends are necessary to come to a true understanding of what’s up.
Also, canon is harder to write than legends. ^_^
So that’s why canon has advanced a month and a half rather than staying in real time.
I think this is the first time we’ve seen the reason why they’re in the Gibbelin’s Tower – it’s at the edge of the chaos, and it’s a nice tall transitter. Did they know about Sukaynah before they moved in, or was that part of the attraction?
Rebecca: Will we ever see the day when they moved in?
I don’t think anything in the tower surprised Martin. That said, I don’t think he selected it for the purpose of Sukaynah. Martin is more of a bricoleur than a connosieur, I think.
I don’t know if we’ll see the day they moved in. Possibly in Chapter 4!
Does being high on Virtue give you the munchies?
Sadly, the United States’ ever-more-draconic War on Virtue has kept me in a naive, virgin-like state of innocence regarding virtue. I’ve seen virtuous people on television and I think that once when this homeless guy asked me for money that he might have been virtuous but I’m scared that if I try it myself the VEA will break into my house, confiscate my possessions, and force me to validate their corrupt regime. I don’t understand how people like Mr. L——- and Mr. B— can so casually indulge in the virtue they deny to others but perhaps it is their superior moral standing.
If I had to guess I would probably say this: that to know virtue is to know not hunger.
Why do the Tower players care about broadcasting their works?
Put another way, what’s the difference between a legend that is communicated and a legend that is not?
That’s it for this month. Thanks for reading, thanks for commenting, thanks for donating, and I’ll see you again next month!